Andaman Islands - Nature At Its Best

By Meera

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As our flight gracefully circled the Andaman Islands for approximately 15 minutes, the breathtaking sight of the lush, azure landmass invoked a sense of tranquility and serenity within me. Isolated patches of vibrant green islands stood silent, as if harboring untold stories.

Nestled in the cerulean waters of the Bay of Bengal, the Andaman archipelago attracts a multitude of visitors from the Indian mainland between November and April each year. Following a 2 1/2-hour journey from Bengaluru, the undulating capital city of Port Blair (located in the southern Andaman Islands) serves as the embarkation point for any planned exploration.

Port Blair

In Port Blair, the offerings for exploration are relatively limited. Spending two days here allows for a somber visit to the Cellular Jail, where the dark tales of our freedom fighters unfold. Subsequently, a ferry ride from the capital grants access to Ross Island, which served as a Prisoner of War site for the Japanese during World War II.

View of Andaman sea from the cruise steamer

Annigere – The Marvel of Western Chalukyan Carvings

By Meera

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A visit to the charming town of Annigeri in Karnataka's Dharwad district is nothing short of essential. Here, one can behold temples that effortlessly blend the intricate styles of both northern and southern temple architecture.

Annigeri – A Unique Gem of Western Chalukyan Heritage

By Meera

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View of Amriteshwara temple

While Tharangini and I were exploring the rich heritage of Lakkundi, our guide recommended a visit to Annigeri, which lies approximately 25 kilometers from Gadag city. Annigeri holds a special place in history as the final capital of the formidable Western Chalukyas, also known as the Kalyani Chalukyas. Their relocation to Annigeri came about due to their displacement from their former capital, Kalyani (now known as Basavakalyan in the Bidar district), following a conflict with the Kalachuris under King Bijalla-II.

The Narasimha Cult: The Rannebennur Naiks

By Meera

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A view of the temple on Oakli day

Lord Narasimha, the fourth avatar of Vishnu, has been worshipped in various forms for centuries now. Some families in Karnataka, Telangana, Tami Nadu and Andhra Pradesh have retained the Narasimha cult even today. 

The Narasimha Cult: Oakali Festival

By Meera

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View of temple

In a unique cult-festival celebrated across India, Lord Narasimha, the fourth avatar of Vishnu, is worshipped in quaint forms and ways. The Oakali tradition (sprinkling of holy waters on devotees) is a part of Narasimha Jayanti. It falls in the month of May and is celebrated in many places of the south.

Udayagiri Caves – The Prakrit Inscriptions

By Meera

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A side view of the Udayagiri Caves

There is more to Udayagiri Caves at Bhubaneshwar in Odisha as in the last 2200 years, many auxiliary structures have been added. A few caves show these additions (albeit highly damaged) from century to century.

As we climbed the hill that is strewn with rock-cut caves from one end to the other, our guide elaborated on the significance of some caves like the Hathi Gumpha with its famous inscriptions.

Udayagiri Caves - The Rani Gumpha Heritage

By Meera

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Long shot of pilasters and friezes in Rani Gumpha 

In the first part – I just touched upon a few details about the ancient rock-cut caves of Udayagiri in Odisha. Unlike Ellora, Ajanta, Karla caves in Maharashtra or Badami caves in Karnataka, the Udayagiri caves are unique as the art of carvings started some 2200 years ago and has stood the test of time amidst a vast spread of dense jungle.

Udayagiri Caves – Odisha’s Hidden Past

By Meera

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This is in continuation of my visit to Odisha, the erstwhile Kalinga kingdom with its varied past and wonderful natural and historical heritage. No visit to Odisha is complete without a visit to the Udayagiri and Khandagiri caves.

Brahma Jinalaya - The Sanctum And The Outer Area

By Tharangini

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Hope you enjoyed the tour of the inner mantapa. Thank you for joining me here.

The inner mantapa has the 22nd Tirthankara as the main deity. He is flanked on either side by attendants fanning him with a chowrie (a traditional fan made of animal hair attached to a handle). According to our guide the entire backdrop of the chowrie holding attendants was carved out of a single stone. 

Brahma Jinalaya - The Inner Closed Mantapa

By Tharangini

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Hope you enjoyed the tour of the outer mantapa. Thank you for joining me here.

So why dedicate an entire section to just the inner closed mantapa?  Though the only two prime figurines in the inner closed mantapa are of Padmavati and Chaturmukha Brahma, there are so many smaller aspects hidden everywhere, that it is impossible to ignore.

To talk about this mantapa in brief, it is ventilated by a single small window. Padmavati is on the right while Chaturmukha Brahma is on the left. The lathe turned pillars in the center of this mantapa still manage to glisten in the light. If  they look so good now, then it is impossible to even imagine how amazing they would have been a 1000 years ago. 

Standing the test of  time, the base of these pillars are adorned with various 'sundaris' or beautiful women. But rather than talk about it, I'll allow these images to speak for themselves. 

A view of the deity from the Inner Mantapa

The five framed doorway to the inner sanctum from the mantapa.
Notice the animals and the dancers in the frames.

A figurine of a Thirthankara above the lintel indicating it is a jain temple.
The topmost layer has elephants while just below that is a row of what
looks like a dodo bird.

The Chatumukha Brahma stands tall

The south side face is of a  young boy

The front/east side face is of a young man

The north side face is of a middle aged man.

The west side face was one from the older years. That face had a full beard and a mustache and looked more rugged. But it was too close to the wall for us to get a decent image.

Padmavati, the epitome of beauty smiles demurely.

The perfectly proportioned face also has nose ring holes

The base of all the columns had 'sundaris' or beautiful women engraved in them. While we were visiting another temple and were kneeling and crouching to try and get the best angles for these intriguing beauties, an elderly gentleman who was walking out of the temple kindly informed us that people used to hold babies with breathing problems against these figurines with the babies' back towards the figurines.

The various groves and ridges of the carvings acted as acupressure massaging points, opening up the pathways for breathing better.

I wondered if the same was applicable for adults too, if they sat on the floor with their back resting on these carvings.

Darpana Sundari or a beautiful woman with mirror

Woman playing a sting instrument in one of the panels

All the women were however similarly framed

With kirthimukhas and Yalis on two columns on either side

There was a kirthimukha on top of the pillar as well 
framing a man playing a drum

Visit the inner sanctum and let's take a walk around the temple in the next section.

Location map:

Brahma Jinalaya - The Outer Mantapa

By Tharangini

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In our efforts to bring more stories to spottedowlets, Meera and I decided to visit Gadag, with the intention of exploring both nature and the extravaganza of ancient architecture in and around that place.

We will be attempting to bring in as much information as possible from all the temples we visited, hoping to do at least some justice to magnificent structures we visited. 

Meera has already given a brief history of Lakkundi, so let’s dive in. Starting the journey from the Jain temple or ‘Brahma Jinalaya’ at Lakkundi,  we visited this fascinating structure at midday during midweek. Needless to say, we had exclusive time there. 

A view of the temple

Lakkundi – A Medieval Wonder

By Meera

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Lakkundi, the village and streets

There are still some hidden, ancient heritage spots in Karnataka that do not see much interest or tourist footfall, and reasons are many for that. Lakkundi is one such place in Gadag district which is neither part of the Hampi tourism circuit nor part of any other circuit. Just about 11 kilometers from the town of Gadag, Lakkundi, once a powerful Kingdom is today a veritable treasure trove of temples and stepwells.

Chitrakarini Temple: Creative Heights

By Meera

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Thank you for joining me from part I

Have you ever heard of a temple that is dedicated to a woman painter? Well, Chitrakarini temple must be the only temple in the world acknowledging the skills and creative expressions of an artist.
 

Chitrakarini Temple

Chitrakarini Temple - The Paintress

By Meera

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If you are visiting Bhubaneswar on a leisurely holiday, try to explore temples that do not see crowds nor much interest. Apart from Lingaraj, Rajarani, Ananta Vasudeva and other such famous temples in this city, there are other architectural monuments that are ancient and highly impressive for their carvings.

 

View of main temple. The four outer towers are not seen here.

Odisha’s Rajarani Temple: Symbol Of Love

By Meera

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The Raja Rani temple

Odisha’s Rajarani Temple: Symbol Of Love - Part II

By Meera

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Continuing from Part I

Temple wall having columns with floral, ornamental carvings

 

Ashokan Rock Edicts: Odisha’s Pride

By Meera

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Thousands of battles have been fought in this country the last 5000 years and one gets to read and know about them in various forms. However, one of the largest and deadliest battles, the Kalinga War in 262-261 BCE is etched in History as it took a horrendous human toll (about 2 lakh people were killed & maimed).

The rock edicts

Somnathpur Temple - A Poetry In Stone

By Meera

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Thank you for joining me from Part I

All that occurs within the walls of this temple is uplifting and elevating. In this temple of Chennakeshava in Somnathapura, lies the purest essence of workmanship and abilities of ancient sculptors. As I go around taking a close look at the walls with such fine details, I wonder at the ultimate accomplishments of humans that were achieved sans any powered tools.

Somnathpur Temple - A Hoysala Marvel

By Meera

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A childhood memory of an ancient temple with its unbelievable architecture took me back to the banks of River Cauvery in the Mysuru district of Karnataka state. Although one can see the footprints of many dynasties in the erstwhile royal kingdom of Mysore, the one in T. Narasipura taluk is certainly breathtaking.

 

Besides, if any temple from the Hoysala architectural style stands out amid many bygone structures, it is the Keshava temple at Somanathapura town. It is said to be the most ornate and perfect model of Hoysala architecture. However, one can see the ravages of time as it looks bereft with both invaders and nature taking a toll on this exquisite monument.

 

Outer wall of the temple

Varaha Temple – Hampi’s Exquisite Past

By Meera

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Long shot of the Varaha temple surroundings 

We were roaming around the rocky terrain of Hampi and were eagerly looking for a glimpse of the elusive Yellow Throated Bulbul, when we stumbled on the ruins of a temple that was never on our itinerary. This recently renovated temple is located on the banks of the mighty Tungabhadra River. It can also be seen on the way to the Vijay Vittala temple from Hampi town.