Welcome to the last part of the stories from the Amrutheswara temple. Last of this series and last from me for now. All these parts put together however do not even begin to scratch the surface of everything that this temple has to offer. The secrets left to be understood and uncovered and the tiny little signature hints in each carving left to be interpreted still await the curious eyes of its visitors. I wonder if even a 30 part series can do justice to the magnitude of elegance that has been cramped into one temple, tucked away in Southern India.
As the warm February sun was busy tanning my skin multiple times over, I ignored the sweat pouring down my back while tales of Lord Krishna's childhood kept me captivated. Starting from the very beginning...
Frame 1 -
As each child was born to Devaki and Vasudeva , a donkey positioned outside the cell would act as the harbinger of childbirth. The donkey was said to be sensitive enough to detect the mother in labor. Its not so subtle heralding was a signal to Kamsa, Devaki's brother, to rush to the cell and kill the baby. This was in a bid to escape the prophecy that Devaki's eighth child would be responsible for Kamsa's death. Better safe than sorry, Kamsa made it a point to kill every child born to his sister rather than target just the eighth one. Just as the eighth child, Krishna was born, Vasudeva prostrates before the donkey requesting it not to alert the evil king about the birth. Though I had never heard of anyone else assisting Devaki or Vasudeva with the birth, this panel seemed to be pretty packed with a whole lot of characters. Baby Krishna is next to his mother on the cot, three ladies attending to Devaki, two guards and of course Vasudeva and the donkey. There is also a comfortable mattress that shows slight indentation under the mother and baby. That is a lot of details in a single panel.