The Carvings Amidst The Carvings
Of course, it was a bit tricky to get past all the selfie mania to stare at the itsy bitsy carvings. The longer I stalled, the more impatient the other selfie lovers got behind me and my microscopic inspection of the carvings was not doing them any favours.
Some meditating men appeared to me as if they had some Mongolian influence in their features. The headdress, the eyes and nose all seemed to indicate that. Trading, travelling and an influx of visitors from the ports could have inspired this. One particular man holding a stick-like instrument or a scroll seems to be a fine example of this influence.
I'll leave you with a few more images of my earring musings in this part. Join me in the next part to explore some more of these hidden intriguing beauties. My absolute admiration and respect to those ears that could manage to hold up these earrings.
Interested in seeing dome domestic scenes from Belur and Halebidu? Join me in Part II
Location map:
What can I tell you about the Chennakeshava temple in Belur, that has
already not been told? The undisputable source of inspiration to so many and
the undeniable jaw-dropping excellence and beauty has been written about
almost everywhere. So forgive me if I cannot shine any new light on
these wonders. But I did try with great difficulty to look beyond the
beautiful Mandanikas to get a closer look at the tinier treats that acted as
fillers to the main carvings. I was not disappointed.
Of course, it was a bit tricky to get past all the selfie mania to stare at the itsy bitsy carvings. The longer I stalled, the more impatient the other selfie lovers got behind me and my microscopic inspection of the carvings was not doing them any favours.
I hope what I've got for you here is worth photo bombing a few dozen images.
Tucked in above the rows of elephants, lions and horses, carved in floral
circles were these tiny figurines, each telling their own story.
Two men carrying a hunted deer tied to a stick and walking through the
forest were cozily accommodated in this floral circle that was barely 3
inches in diameter.
In another very interesting circular panel were three people, in what
I am assuming as a wrestling pose. The man in the centre, clad in a
loincloth, appeared obviously superior and is seen effortlessly subduing the
other two smaller men.
A chubby guy with a goofy smile stands in a comical pose nearby. It is
incredible to note that even with so many damages, in that tiny space, the
expressions still stand out magnificently.
Some meditating men appeared to me as if they had some Mongolian influence in their features. The headdress, the eyes and nose all seemed to indicate that. Trading, travelling and an influx of visitors from the ports could have inspired this. One particular man holding a stick-like instrument or a scroll seems to be a fine example of this influence.
Of course, no temple would be complete without the musicians and dancers. So
filling in between, in these floral circles are these graceful performers
with their percussion instruments and dance poses.
Let's move a little higher, again looking at the considerably smaller
carvings, tucked in at about 7 feet height. I did try to stretch myself as
much as possible to view them but do excuse any lopsided angles in these
images. I am glad the craftsmen of that era are not around to hear this
excuse of mine.
These were a little bigger than the carvings below, about 6-8 inches in
height, again with exquisite details. Because of the height and placement of
these carvings, they are a little tricky to observe in detail, here is an
attempt though.
The first one is a lady with a child. As she is lovingly holding the
kid, her hair is flowing and loose behind her. Her face shows large eyes and
lips, with a flatter nose and a wide forehead. These features are
distinctively different from the sharp features seen in other carvings. In
fact, most carvings at this level seem to have this kind of
characterization.
Another one is drying her hair, wearing simple jewellery but large earrings.
I've always been intrigued by these earrings, so I'll be sharing more images
of them later. Her face is similar to the lady with the child. A large face
with large lips and eyes. Even in such small carvings, they have managed to
carve out the most shapely eyebrows, even on the side of the face that is
not fully visible from the outside. If this is not perfection, then
what is?
In a similar panel, another lady is playing with her earrings. I've
made this observation in my earlier blogs as well about the rather large
mechanical looking earrings. Have a look at this image below, where almost
the entire face has been wiped off the carving, except for the earrings.
Does it not look like a mechanical gear?
I'll leave you with a few more images of my earring musings in this part. Join me in the next part to explore some more of these hidden intriguing beauties. My absolute admiration and respect to those ears that could manage to hold up these earrings.
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